copying at the National Gallery: Cézanne's "The Peppermint Bottle"

September 16, 2013

Cézanne's "The Peppermint Bottle" - done!

After taking the summer off from copying at the National Gallery, I returned today for Day 4 of my Cézanne copy. I didn't think I would finish it today - in fact, I was sure that I would need to come back for one last day on it. But surprise! It somehow came together and felt complete, and I knew I was done with it.

A museum visitor asked my permission and took my picture. When I asked her to email me a copy, she took another one and asked me to Smile.

It was a welcome change from people who just snap my picture all day without asking my permission! (I don't smile for them!)

The completed copy.

2 comments:

Taryn Day said...: It looks great, Amy! You look quite comfortable in that museum. Must feel like a second home.; September 16, 2013 at 7:45 PM
Amy Mann said...: Thanks, Taryn! I guess I do feel comfortable there, I've been visiting that museum since the 60s! But I do get exhausted, just as I would if a constant parade of people tramped through my house!; September 16, 2013 at 8:05 PM

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copying at the National Gallery

A friend turned me on to the Copyist Program at the National Gallery of Art in Washington D.C. in the fall of 2000. Since I live in Northern Virginia, it is pretty convenient (about 45 minutes travel time) to get there. I called the Registrar of the museum to say I was interested in becoming a copyist, and she said she would mail me a packet of information and requirements. I received the packet in the next day's mail! I read through all the rules and regulations of being a copyist, and saw that I would need to come up with four letters of recommendation: two from people who knew me as an artist, and two character references. I immediately contacted four people who could serve as references, and asked them to mail in letters for me. I was also required to write my own letter, stating why I was interested in the copyist program. Finally, I had an interview with the Registrar and showed her two of my paintings. I was accepted into the program that day, and within a month of that first phone call, I was standing in the National Gallery copying my first painting.

Copyists are given a locker in a locked room in the museum. I keep my current painting there, in the painting rack. I have to ask a guard to unlock the copyists' room whenever I want to access my locker. The museum provides a large easel, stool, and dropcloth, which are in position in the gallery I am copying in. A permit must be obtained for each painting I copy, and I'm only allowed to work on one at a time. I have to have my permit on me or with the painting all the time, and show it to the guards on request. Only one copyist is allowed in a room on a given day, and some of the rooms are off limits because they are too small. Only works in the West Building are available for copying. There are other restrictions, such as not being able to sell your copy while on National Gallery property, and having to size your copy at least two inches smaller or larger than the original.

copying at the National Gallery

September 16, 2013

Cézanne's "The Peppermint Bottle" - done!

2 comments:

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copying at the National Gallery

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