copying at the National Gallery: Misse and Luttine, day 6

July 6, 2018

Misse and Luttine, day 6

I've been able to get to the National Gallery every other Friday on a regular basis, thanks to my wonderful friend Roxane giving me a ride! (If I have to go in by train, I tend to bug out and skip my day for the slightest reason.) Because I've been getting down there every two weeks, I'm making pretty good progress on this copy.

This morning I again tackled those #@! columns. Now that I know there are TWO columns, I looked harder at them and figured out where my copy was wrong. I worked on the columns for an hour and a half, then stopped for lunch.

After lunch, I worked on the sky and trees. I lowered the horizon a bit more. I still haven't put in those tall, spindly trees in the distance on the right. I forgot to take a picture on the easel at the end of the day, so I photographed it in the Copyists' locker room, where I didn't have room to stand back and get a straight photo of it. Oh well, you can still see my progress in this cockeyed photo. Back for more in two weeks!

(click the pictures for a larger view.)

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copying at the National Gallery

A friend turned me on to the Copyist Program at the National Gallery of Art in Washington D.C. in the fall of 2000. Since I live in Northern Virginia, it is pretty convenient (about 45 minutes travel time) to get there. I called the Registrar of the museum to say I was interested in becoming a copyist, and she said she would mail me a packet of information and requirements. I received the packet in the next day's mail! I read through all the rules and regulations of being a copyist, and saw that I would need to come up with four letters of recommendation: two from people who knew me as an artist, and two character references. I immediately contacted four people who could serve as references, and asked them to mail in letters for me. I was also required to write my own letter, stating why I was interested in the copyist program. Finally, I had an interview with the Registrar and showed her two of my paintings. I was accepted into the program that day, and within a month of that first phone call, I was standing in the National Gallery copying my first painting.

Copyists are given a locker in a locked room in the museum. I keep my current painting there, in the painting rack. I have to ask a guard to unlock the copyists' room whenever I want to access my locker. The museum provides a large easel, stool, and dropcloth, which are in position in the gallery I am copying in. A permit must be obtained for each painting I copy, and I'm only allowed to work on one at a time. I have to have my permit on me or with the painting all the time, and show it to the guards on request. Only one copyist is allowed in a room on a given day, and some of the rooms are off limits because they are too small. Only works in the West Building are available for copying. There are other restrictions, such as not being able to sell your copy while on National Gallery property, and having to size your copy at least two inches smaller or larger than the original.

copying at the National Gallery

July 6, 2018

Misse and Luttine, day 6

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