A miserable rainy day, but a good day to be inside the National Gallery! Today I decided to paint the dog's face, because getting his expression right is the most important part of this painting, in my opinion. I also started in on the fur on his body.
Since it was a rainy day, the gallery I was in was quite dark - the museum uses skylights, and there are spotlights focused on the paintings on the walls. Unfortunately, my painting on the easel was kind of in the dark. So I don't know if my painting is actually too dark, or if it's just the darkness of the day. I'll see next week, if it's a brighter day outside.
Each week, as I'm setting up, it feels as if I have no idea of what to do. So I just start mixing paint, trying to make piles of colors that I will need. I can kill most of an hour doing this! Finally I have to just plunge in. I don't know why it's always so hard to get started, but it is.
Here is a detail of what I painted today. I think I got his expression pretty well... Painting the fur was very interesting. I had thought that I should do all the underpainting - the modeling of the body - and then paint the furry highlighted furry squiggles on when it was dry. But today I just worked wet into wet, and it worked just fine. I worked over some of the background where it touches the dog's chest and back, because that's necessary to get the look of the fur. I've never painted a furry animal before - this copy is going to be quite an education!
click on the images for a larger view
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