copying at the National Gallery: Day 2, "Misse and Luttine"

March 16, 2018

Day 2, "Misse and Luttine"

One month later, day 2 on this copy. My goal for today was just to cover all the white canvas. I tried to get the color and value right. Worked on it for about 2 hours and got to this point, where all the white was covered. Then I went to lunch.

(click the pictures for a larger view)

The museum was very crowded today with lots of school groups coming into my room. Of course they were all fascinated with the copyist. I concentrated as best as I could, while being just as pleasant to everyone as I needed to be. I felt very out of practice, but it was still good to be there.

After I ate a nice, leisurely lunch, I decided to walk around the East Building.

It's always wonderful in there when the sun is out!

It's great to see the big Calder mobile up close

Such a gorgeous space

A Diebenkorn!!!

Another Diebenkorn!!!

After tramping around the East Building, I returned to my copy, and decided that I just didn't have the energy to paint anymore, so I cleaned up and left.

I had to take this picture of the Hirshhorn Museum, where I interned when I was in college.

It was a cold, windy day, but the sun was out. The Hirshhorn again.

I sketched the people waiting for the train home. Cold and windy! I'll be back in two weeks, hopefully it will be warmer by then.

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copying at the National Gallery

A friend turned me on to the Copyist Program at the National Gallery of Art in Washington D.C. in the fall of 2000. Since I live in Northern Virginia, it is pretty convenient (about 45 minutes travel time) to get there. I called the Registrar of the museum to say I was interested in becoming a copyist, and she said she would mail me a packet of information and requirements. I received the packet in the next day's mail! I read through all the rules and regulations of being a copyist, and saw that I would need to come up with four letters of recommendation: two from people who knew me as an artist, and two character references. I immediately contacted four people who could serve as references, and asked them to mail in letters for me. I was also required to write my own letter, stating why I was interested in the copyist program. Finally, I had an interview with the Registrar and showed her two of my paintings. I was accepted into the program that day, and within a month of that first phone call, I was standing in the National Gallery copying my first painting.

Copyists are given a locker in a locked room in the museum. I keep my current painting there, in the painting rack. I have to ask a guard to unlock the copyists' room whenever I want to access my locker. The museum provides a large easel, stool, and dropcloth, which are in position in the gallery I am copying in. A permit must be obtained for each painting I copy, and I'm only allowed to work on one at a time. I have to have my permit on me or with the painting all the time, and show it to the guards on request. Only one copyist is allowed in a room on a given day, and some of the rooms are off limits because they are too small. Only works in the West Building are available for copying. There are other restrictions, such as not being able to sell your copy while on National Gallery property, and having to size your copy at least two inches smaller or larger than the original.

copying at the National Gallery

March 16, 2018

Day 2, "Misse and Luttine"

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copying at the National Gallery

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