copying at the National Gallery: May 2015

May 28, 2015

Cézanne, day 11

Sigh, still not quite the last day... I thought this was done, but after lunch, I realized that I really want to do just a little bit more...

I worked on the hanging fabric and the fruit today.

(click the image for a larger view)

May 14, 2015

I'm feeling more and more like I'm nowhere near finished with this one! Just working very slowly, adjusting colors. I'm getting very good practice at mixing colors. Although, my colors are much brighter, and my edges are much harder. I think I'll be able to soften edges and dull down the colors after it's dry. But I'm just trying to get the colors right... and I keep seeing more areas that need more work. So I'll take my time and it will take as long as it takes!

I mainly worked on the pitcher and the big patterned cloth, and I got back into the fruit. More to do, more to do...

(click on the images for a larger view)

copying at the National Gallery

A friend turned me on to the Copyist Program at the National Gallery of Art in Washington D.C. in the fall of 2000. Since I live in Northern Virginia, it is pretty convenient (about 45 minutes travel time) to get there. I called the Registrar of the museum to say I was interested in becoming a copyist, and she said she would mail me a packet of information and requirements. I received the packet in the next day's mail! I read through all the rules and regulations of being a copyist, and saw that I would need to come up with four letters of recommendation: two from people who knew me as an artist, and two character references. I immediately contacted four people who could serve as references, and asked them to mail in letters for me. I was also required to write my own letter, stating why I was interested in the copyist program. Finally, I had an interview with the Registrar and showed her two of my paintings. I was accepted into the program that day, and within a month of that first phone call, I was standing in the National Gallery copying my first painting.

Copyists are given a locker in a locked room in the museum. I keep my current painting there, in the painting rack. I have to ask a guard to unlock the copyists' room whenever I want to access my locker. The museum provides a large easel, stool, and dropcloth, which are in position in the gallery I am copying in. A permit must be obtained for each painting I copy, and I'm only allowed to work on one at a time. I have to have my permit on me or with the painting all the time, and show it to the guards on request. Only one copyist is allowed in a room on a given day, and some of the rooms are off limits because they are too small. Only works in the West Building are available for copying. There are other restrictions, such as not being able to sell your copy while on National Gallery property, and having to size your copy at least two inches smaller or larger than the original.

copying at the National Gallery

May 28, 2015

Cézanne, day 11

May 14, 2015

Cézanne day 10

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copying at the National Gallery

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